This week’s lecture on the relationship between neuroscience and
art was very insightful. Life is a culmination of obscurities and the unknown
and at the forefront stands the mysteries of the mind. Professor Vesna, in her
lecture, made a very good point: where does the brain stop and the mind begin?
Where is the endpoint of the biology and beginnings of the consciousness?
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Different regions of the brain (with different functions!) |
These are all questions posed well before my time by many wiser –
and by the sheer number of dissections, bolder – than I am. Gall was able to
discern the natural compartmentalization of the brain and even created his “phrenology,”
perhaps in an attempt to solidify his findings (The History of
Phrenology on the Web). Regardless, Gall was
able to create a hypothesis that was far ahead of his time, with nothing more
than a scalpel.
Jung took analysis even further, insisting on his archetypes and
stating that dreams – and the unconscious – were the source of creativity
(Mostert). Even Freud, whose readings many of my psychology friends consider
enjoyable, albeit outdated, has left a lasting impression in the neurosciences
and, by extension, the psyche (Simple Psychology).
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LSD-25 chemical structure |
Neurochemicals, widely regarded as dangerous, was a surprisingly
natural step to take in trying to decipher the mind. Through the various
advocates of cocaine and LSD 25, it can be said that there presents an
out-of-body experience when under the influence (LSD History).
Perhaps, then, the mind and the body are not as separate as
everyone believes them to be. If the body, influenced by neurochemicals, can
induce hallucinogenic experiences that are most effective in the mind, the two
should inevitably be linked. I enjoyed learning about the progression
of neurosciences and tracking the development of the interpretation of the
mind-body relationship over years of research.
![]() |
Neuroculture - MRI butterfly-brain superimposed |
I believe that, while the mind and body are surely linked, there
still remains a certain void, a degree of separation, that lays between the
two. I myself am not really sure how distant my mind is from my body, and just
even beginning to think about it leaves me more confused than I was when I
started. Artists such as Anker try to bring into reality the role of the brain by using examples like neuroculture, whereas scientists try to find conserved proteins in other species for potential analysis. Regardless, one thing is clear: the mind and body, while often considered
individual entities, rely upon each other heavily for maintenance and
well-being.
Frazzetto,
G., and Anker, S. (2009). Neuroculture. Nat.
Rev. Neurosci. 10, 816-821.
"LSD
History." History of LSD. Web. 18 May 2015.
Mostert, J.
P. The Spiritual Problems of Modern Man in the Approaches of C.G. Jung and M.
Eliade. [KwaDlangezwa]: [U of Zululand], 197. Print.
"The
History of Phrenology on the Web." The History of Phrenology on the Web.
Web. 18 May 2015.
"Sigmund
Freud's Theories | Simply Psychology." Sigmund Freud's Theories | Simply
Psychology. Web. 18 May 2015.
Hi Alan, I really enjoy reading your post. In my personal point of view, the relationship between Neuroscience and art is sometimes more like a philosophy question. In your first paragraph you mention "Where does the brain stop, and the mind begin?" It looks like a philosophy question. I think people do not really know themselves, and that's why some people need to use hypnosis to discover the subconsciousness. I think Neuroscience can help us in the problem a lot.
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